Kera campaign key visual

KERA

Good skin, no guesswork.

Brand identity · Art direction · Packaging · Film · 2026

A self-directed men's skincare brand, built from a blank page to a full campaign. The whole pipeline run by one operator: naming and positioning, verbal and visual identity, the product system, the campaign, and the films.

Overview

One operator, start to finish

Kera is a self-directed men's skincare brand, built from a blank page to a full campaign. I ran the whole pipeline: naming and positioning, verbal and visual identity, the product system, the campaign, and the films.

The idea

Good skin, no guesswork

Most men want better skin and zero homework. The category answers that with either clinical drugstore packaging or overwrought luxury-grooming theatre, and both leave a guy guessing what to actually buy and in what order.

I built Kera on the opposite promise: good skin, no guesswork. A short, honest system that tells you exactly what to use, with nothing to decode.

Good skin, no guesswork.

Kera

Positioning

Approachable premium

Kera sits above the drugstore but below the intimidating luxury shelf. Function first, plainly spoken, confident without shouting.

It is made for the man who wants results and a routine he can actually keep.

Verbal identity

Talks like a straight-talking friend

Tagline, Good skin, no guesswork.

Voice: plain, direct, certain. No jargon, no miracle claims, no fluff. It talks the way a straight-talking friend would, the one who actually knows what works.

Visual identity

Warm and clean, the opposite of clinical

The palette stays in soft natural neutrals so the products feel calm and premium. A clean wordmark and a tight, legible type system carry the honesty of the brand. Nothing decorative that the message does not need.

Type pairs a warm contrast serif for headings with a clean grotesk for body.

Cream

#F5F1E9

Sand

#CBB593

Stone

#9A9389

Ink

#1A1815

Kera wordmark and K monogram, a clean contrast serif with a tight, legible mark.
Kera brand board, wordmark, monogram, palette and type system on one sheet.

The product

Three things that actually matter

A focused three-piece system: cleanser, moisturiser and SPF. Not a wall of products, the three things that actually matter, in the order you use them.

The kit is the brand idea made physical. No guesswork about where to start or what comes next.

The Kera three-piece kit, cleanser, moisturiser and SPF, on warm travertine stone.
The three-piece kit: cleanser, moisturiser and SPF, in the order you use them.

The campaign

Quiet confidence, not a hard sell

A cinematic hero poster and a wide out-of-home billboard, built on the same calm, warm world. The products lead, the copy stays short, and the whole thing reads as quiet confidence rather than a hard sell.

Kera out-of-home billboard in the calm, warm brand world.

The films

Three films, two opposite moods

A UGC-style cleanser spot, the honest, in-hand register that men's grooming actually sells in. Then two product-hero Hyper Motion commercials: the moisturiser in a dark moody studio, and the SPF in bright, sun-drenched light. Same brand, two opposite moods, to prove it holds either way.

Cleanser · UGC
Moisturiser · Dark studio
SPF · Bright light

Tools & process

One brand across the whole set

Built through Higgsfield. GPT Image 2 for anything with text, Nano Banana for product renders and image-to-image consistency, Marketing Studio for the UGC spot, and Hyper Motion for the product films. References carried forward at every step so the bottles, the kit and the marks stayed identical across the set.

Lock each asset before moving on, keep the palette tight, and a warm poster and a dark studio film still read as one brand.

Kera. Built solo, end to end, with AI.